Archives For Fringe

How Fringe Should End

Chris —  March 24, 2011

I’m holding out against hope that this season of Fringe won’t be the last.  When the show started, it seemed to be little more than an X-Files rehash.  But over two and a half seasons, it’s developed into a transdimensional drama, packed with characters fans have grown to care about.

The premise is that there are two worlds, almost identical, on the verge of destruction.  The characters seem to think that only one can survive, and that they are in a war to do just that.

Yet there have been hints that something deeper is going on.  Each side seems incomplete.  In one world, the main character, Olivia, has a mom.  In the other, her mom is dead, but she has a sister and an aunt.  In one world, the an FBI agent is a widower, in the other, he sacrificed his life for his mission, leaving a widow.  A recent poignant episode told the story of an old woman who could see her dead husband’s doppleganger in the other world.

Some people believe that the gospel of Jesus is just that you go to heaven when you die.  But perhaps it’s not so cut and dry.  Passages in Romans speak of Earth as a mother in labor pains.  The book of Revelation describes the coming of a new heaven and a new earth.

Perhaps Fringe will end, not in war, but in an amalgation of the two sides.   Each side is full of puzzle pieces.  The coming destruction is not a destruction at all, but the two broken sides becoming one cohesive whole.

There’s a lot of story left in Fringe, and I hope that it will get enough airtime to finish.  Perhaps it will end on a note of hope, with broken worlds and relationships healed.  This is also what we work for in the kingdom of God, a new heaven and new earth that represent the fullest potential of the old.

Fringe recently stepped beyond the bounds of it’s CSI+Sci-Fi formula to dabble in a spiritual question: How can we know if God has forgiven us?

A great secret was revealed: Walter Bishop was guilty of a heinous crime, and he wondered if God could forgive him.  He shared his desire for God to send him a sign to a like-minded scientist.  The scientist, in turn, sent Bishop the sign he was looking for.

Fringe has revealed an often overlooked aspect of God’s forgiveness: US.  Evangelicals like to talk about God’s forgiveness all night and all day.  However, we rarely get beyond the cross and theories of atonement.  This leaves forgiveness as an inexplicable transaction somewhere in the ether.

For Jesus, forgiveness is an action of God, demonstrated through the actions of his followers.  He instructs the disciples to pray “forgive us of our sins, as we forgive those who have sinned against us.”  Elsewhere, he uses hyperbole, telling them they should forgive a brother seven times seventy times.  Like so many other gifts from God, forgiveness is delivered by those who represent him.

The sequence in Fringe wasn’t too different from the forgiveness demonstrated in the Truth and Reconciliation committees in South Africa and Rwanda.  The stories of the sin must be spoken aloud, aired out, so that those affected may choose to put it behind them.  No matter how grievous.

This is a formula that can guide us through helping others experience God’s forgiveness.  Listen to their stories, and in the name of Christ, assure them that God offers his forgiveness.

Fall TV Check-In

Chris —  October 7, 2009

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Here’s what I’m watching:  It’s mainly stuff I’m “already committed to,”, which either means that there’s not much new of note, or I just haven’t found it.

Fringe With theme music lifted from the little known 90s revival of The Outer Limits and a plot line that is little more than a post-911 update of X-Files, I watched the show mainly out of respect for J.J. Abrams.  After a slow start, the show started to get increasingly complex and climaxed with a cameo from Leonard Nimoy.  Now the rough edges of the over-the-top mad scientist and stoic blonde FBI agent have been refined and show teetering  between all out inter-dimensional space opera and CSI-style detective procedural.  Despite some creative characters and intriguing plot twists, it lacks the fondness of Mulder and Scully, and the  addictive questioning nature of Jack, Kate and Sawyer.  Fringe has yet to find its stride quickly this season, and I hope it does soon.

Dollhouse Like with Fringe, I’m watching because I like Joss Whedon.  Despite a disappointing start, the first season ended with some fascinating philosophical questions and the introduction of a fun bad guy.  Now it has the advantage of starting with developed characters and a list of unsolved mysteries.  It already stars Battlestar Gallactica‘s Helo, and Captain Apollo guest starred in the first episode.  This alone, not counting the beguiling Eliza Dushku, is enough to keep me tuning in.

How I Met Your Mother One of the saddest moments in recent TV history was the opening episode of season 4 of Scrubs: what had been brilliant and out of the box suddenly became sill and cliche.  Although I’m holding my breath, this has yet to happen to the best sitcom on TV.  As long as Marshall keeps delivering lines like “Haven’t I met you…on a yacht?” I’ll keep watching.

Heroes Heroes started out as the comic book for everybody, a superhero story about normal joes waking up with superpowers.  However, once Hiro saved the cheerleader, things lost their way.  This season shows promise, with a fascinating new bad guy, and a truly twisted Sylar storyline.  However, it has already become so self involved with its own mythology that I wouldn’t recommend to anyone but the hardcore comics fan.

The Office When will Americans tire of the cringeful British import?  No time soon.  Pam is pregnant, Jim is promoted, Dwight is delivering angry soliloques and Michael Scott never ceases to amaze.  Watch it, even if you haven’t been following for years.

Community I had to give the show that combined the television return of Chevy Chase with The Soup’s smarmy Joel McHale a try.  The show is a 21st century misfit Breakfast Club that takes place at a local community college.  It focuses on McHale’s character, a lawyer and pathological liar forced to go to college after his fake degree is discovered.  The characters still seem a bit stock, but great performances by all will keep me tuning in.

Flash Forward Touted as the new Lost, Flash Forward is a sci-fi detective thriller that shows a lot of promise.  The show revolves around a mysterious incident in which all of mankind was knocked unconscious, and experienced a few minutes of a day six months in the future.  I wasn’t terribly captivated by the first episode, but the fascinating premise is enough to make me give it a few more tries.

What about you?  What are you watching?