Here’s what I’m watching:  It’s mainly stuff I’m “already committed to,”, which either means that there’s not much new of note, or I just haven’t found it.

Fringe With theme music lifted from the little known 90s revival of The Outer Limits and a plot line that is little more than a post-911 update of X-Files, I watched the show mainly out of respect for J.J. Abrams.  After a slow start, the show started to get increasingly complex and climaxed with a cameo from Leonard Nimoy.  Now the rough edges of the over-the-top mad scientist and stoic blonde FBI agent have been refined and show teetering  between all out inter-dimensional space opera and CSI-style detective procedural.  Despite some creative characters and intriguing plot twists, it lacks the fondness of Mulder and Scully, and the  addictive questioning nature of Jack, Kate and Sawyer.  Fringe has yet to find its stride quickly this season, and I hope it does soon.

Dollhouse Like with Fringe, I’m watching because I like Joss Whedon.  Despite a disappointing start, the first season ended with some fascinating philosophical questions and the introduction of a fun bad guy.  Now it has the advantage of starting with developed characters and a list of unsolved mysteries.  It already stars Battlestar Gallactica‘s Helo, and Captain Apollo guest starred in the first episode.  This alone, not counting the beguiling Eliza Dushku, is enough to keep me tuning in.

How I Met Your Mother One of the saddest moments in recent TV history was the opening episode of season 4 of Scrubs: what had been brilliant and out of the box suddenly became sill and cliche.  Although I’m holding my breath, this has yet to happen to the best sitcom on TV.  As long as Marshall keeps delivering lines like “Haven’t I met you…on a yacht?” I’ll keep watching.

Heroes Heroes started out as the comic book for everybody, a superhero story about normal joes waking up with superpowers.  However, once Hiro saved the cheerleader, things lost their way.  This season shows promise, with a fascinating new bad guy, and a truly twisted Sylar storyline.  However, it has already become so self involved with its own mythology that I wouldn’t recommend to anyone but the hardcore comics fan.

The Office When will Americans tire of the cringeful British import?  No time soon.  Pam is pregnant, Jim is promoted, Dwight is delivering angry soliloques and Michael Scott never ceases to amaze.  Watch it, even if you haven’t been following for years.

Community I had to give the show that combined the television return of Chevy Chase with The Soup’s smarmy Joel McHale a try.  The show is a 21st century misfit Breakfast Club that takes place at a local community college.  It focuses on McHale’s character, a lawyer and pathological liar forced to go to college after his fake degree is discovered.  The characters still seem a bit stock, but great performances by all will keep me tuning in.

Flash Forward Touted as the new Lost, Flash Forward is a sci-fi detective thriller that shows a lot of promise.  The show revolves around a mysterious incident in which all of mankind was knocked unconscious, and experienced a few minutes of a day six months in the future.  I wasn’t terribly captivated by the first episode, but the fascinating premise is enough to make me give it a few more tries.

What about you?  What are you watching?