Archives For Comics

Man of Steel, the most anticipated film of the summer has come and gone. Although it made more than enough money to ensure a sequel, it also failed to live up to its potential, and left audiences saying “more like ‘meh of Steel'”.

It’s not a bad movie. It has a phenomenal cast and some truly heart-wrenching moments that celebrate humanity. Yet it never seems to live up to the promise of those opportunities. Instead of just hating on the movie, make we can learn a few lessons.

1. Be true to yourself (and your source material)

Sure, Superman is a hard story to tell. He seems antiquated and is so powerful that he can be boring. But it can be done. It has been done, again and again.

man of steel

In an attempt to “modernize” Superman, the story, and the character became darker. Literally, his suit, and even the color palate of the whole movie is dark. The cost of “modernizing” Superman was his core characteristics. No longer is he the charming, indefatiguable farm boy, who learned how to serve from his caring father. Now he is a brooding, misunderstood outcast whose family teaches him to hide.

Superman is a flying farm boy. He doesn’t need to be realistic. Likewise, we should be concerned about naming whom we are, what we are good at and, and looking for the opportunity to share that with the world.

2. Pick something, and get good at it.

I cannot tell you what the theme of Man of Steel was. Immigrants should hide from the government? We’re not alone in the universe? Choose to help, even when it’s dangerous? Evolution and natural selection are more powerful than caring and sacrifice?

Not only was it themeless, it was style-less. The best response to Man of Steel I heard was “I thought I was going to see a Terrance Mallick film, only to find it was actually the latest from Michael Bay”.

Malcolm Gladwell famously said that it takes 10,000 hours to be an expert at something. Most of us never make it to that point, because we fill our lives with distractions. If Man of Steel had picked one theme and one style, it could have been truly great. If we could just focus, maybe we could be great, too.

3. Know when to stop

If Zac Snyder had done one thing differently I probably wouldn’t be writing this post: cut out the last 30 minutes of meaningless violence and destruction. For a little while it was cool. After the shortcomings of Christopher Reeves era special effects and the utter disappointment of 2008’s Superman Returns, it was cool to see two super powered aliens slug it out.

But it

just

kept

going.

Why Snyder and studio execs thought this was necessary, especially in light of 9/11 and the Boston Marathon attack, is a mystery.

We often feel that we have a point to make or something to accomplish. Making that point means not just being right, or being memorable, but timing it well. All is lost when we wait too long to walk away.

I’m not going to give up on superhero movies (although, I’m in no hurry to see Justice League on screen.) But I want to learn from missed opportunities. I hope DC does, too.

Fables

Chris —  September 5, 2012

Fables-Has-Gorgeous-Cover-Art-1
Here’s the big idea with Fables.  Imagine all of the Fairy Tales you grew up with were forced to live in an apartment building in New York City.  Snow White, Cinderella and Sleeping Beauty are all divorced from the same Prince Charming.  The flying monkey from Oz runs the library.  Beast has to be a perfect husband, because every time he makes Beauty mad, his horns grow back.  Then there’s Big Bad Wolf, just known as Bigby.

War. Espionage. Romance. Political Intrigue.

not to mention

Princesses. Witches. Wooden Boys. Talking Pigs. Santa Claus.

What more could you want?

 

Green Hornet on Leadership

Chris —  January 25, 2011

On the outset, there doesn’t seem to be much to the Green Hornet.  The TV series would probably be forgotten, except that it was the first appearance of Bruce Lee in the US.  Seth Rogen makes sure the newest movie is fun, but it’s also forgetable.

Conceptually, it’s an unapologetic rip off of Batman.  However, there are two points of difference that set Green Hornet apart form Batman and other superheroes, which serve as leadership lessons.

1.  The Green Hornet is a Jerk. It kind of takes a bit of a meglomaniac to become a masked vigilante.  Rogen’s Green Hornet is unapologetically self obsessed.  I’m not suggesting that good leaders should be self absorbed, but they must know who they are and stick to it.

2.  The Green Hornet doesn’t mind being mistaken for a bad guy. A lot of time is wasted trying to justify one’s past actions.  The Green Hornet knows from the beginning that he and Cato will be taken for bad guys.  He uses that to his advantage.  If point number one is true, point number two is unavoidable.  Do what you have to do as a leader.  Expect to be demonized in the process.

Monkeys, Guns and ladies

Chris —  January 25, 2010

Y: The Last Man, began as one the most fascinating and addictive graphic novels I have ever read, but ended in lethargy and preachy-ness.  Published and told over five years, Y is a unique post-apocalyptic story of manchild Yorick, the only living male to survive a catastrophe that kills every male creature on earth.

Yorick is a pop-culture junkie a la Kevin Smith, aspiring escape artist, and woefully immature.  He is accompanied by a fem fatale from a secret organization, a shy genius biologist on the verge perfecting human cloning, and a monkey.  As they travel across the U.S. and eventually the world, they are faced with the worst that both mankind, and womankind have to offer.  Yorick is seduced by desperate women, attacked by violent anti-misogynists, and hunted by foreign governments.  With half its population suddenly gone, most societies delve into violence and rampant sexuality, while the remaining institutions, such as women’s prisons and orders of nuns, struggle to redefine themselves.

I hesitantly recommend The Last Man.  Stephen King called it the best graphic novels he’d ever read. It’s compared to Lost in it’s depth and addicting nature.  It is also surprisingly fair, condemning both feminism and misogyny.  However, the only overarching theme is that of Yorick’s own disjointed and disappointing descent into adulthood.  As the book progresses it’s theme gets lost in the portrayal of sexuality.  The authors try to wrap it all in a touching love story, however even this is lost, along with a clear answer as to what caused the catastrophe in the first place.

Y: The Last Man is a lot of fun, raises some good questions, but is too graphic and looses its way.  In other words, it’s not for everybody.